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iNTrO Omri Cohen's VCP 3 (and VCP 1 and VCP 2)

1) To move Omri's patch into familiar terrority for me, I added the VCVrack console (mixer) which gives me 8 inputs, sends and master L R out to audio.

The patch has 3 stereo instruments and one mono instrument, I plugged these into console removing (the more flexible) channel strips.

2) I replaced the clock with midi in from the beatstep pro

3) The auto de fe clock divider is defunct so I added a randomly chosen divider. I then repeatedly change the divisions during some of the sets.

4) I added blamsofts grunge tube as the only extra module.

Published Wednesday, January 16, 2019

Live Streaming - Day Forty Eight

The first thing I did to integrate the new qu16 was to build and external instrument object for each of my synths and drum machines. So if I want to add some layers of one of my trax I can simply pull the outboard group in 10 or drag the individual instruments in 9 and I have all of my outboard gear ready for a live recording session. While this has always been easy on a new project adding the studio to a previous tune was much more involved.

Published Wednesday, January 16, 2019

Live Streaming - Day Forty Seven

Tempo

Mixer is settling in now.

Also had some time to update a few trax (first time since leaving the old studio).

The VCVRack intro is working well as is the ambient reaktor outros.

Over the holidays I finished the technical debt phase. This entailed creating a folder for every tune, half tune , idea etc. All cubase and reason files were converted to Ableton. All cracked software was removed. Every tune is numbered and  rendered into one of 6 folders or it was deleted altogether.

Published Tuesday, January 15, 2019

Live Streaming - Day Forty Six

Tempo

The opening was rough as I am using my headphones out to stream to the OBS laptop. I ne3ed to get some balanced cables so I can use the headphone jack for... headphones.

Once the fumbling with the ontro was over, I got into a nice groove but was forced to quit early. Lisa joined for the second have of the set . I like the idea that someone can simply arrive and step up with no preparation and no interuption to the set.

If you remember back on day 36, I stated that the mojo had slipped away and I was waiting for it to return.

Published Tuesday, January 15, 2019

Live Streaming - Day Forty Five

Tempo

Absolutely Disastrous.

Kinda funny.

Having done a sound check that was completely nullified by the new mixer, I couldn't tell if the drum-machines were being sent extra info via midi. (I moved from usb to midi din in the hope of reducing background hum) or maybe some type of compression on the mixer, but every hit was at a different volume or intensity.

The laptop (moved to accomodate the mixer) blocked easy access to the outboard synths.

Published Saturday, January 12, 2019

Live Streaming - Day Forty Four

Tempo

I want the daily streams to remain disposable. This allows us experiment, to allow our daily fleeting emotions dictate or at least influence the set. The set is not about perfection. It's about what can be done in one take. It's about practising under real circumstances.

So if you want to experience it, you need to be there live too. There needs to be the possibility that you get annoyed by a fuck up I make or by the tedoiousness of a loop I can't or won't get out of. This is what 3' 33 is about for me.

But that doesn't work with an archive.

Published Thursday, January 10, 2019

Live Streaming - Day Forty One

Tempo

Getting some good ideas to flesh out the project.

  • vcvrack intro
  • the sound designers theme
  • the learning focus theme.
  • Reaktor Ambient Outro
  • I've also added a psuedo fm Radio Group to each of my 5 daily templates. This group includes vintage radio ads, vintage radio dective shows, airchecks, fm and am radio from around the world.
  • Battle Vynyl Group I can grab the group from the ableton browser tree. Giving the piece instanyt 90's vynl goodness from 'streeeeeeetch' to beeeatch better have my money'.

 

 

Published Monday, January 7, 2019